COMPARISION OF ENGLISH and ITALIAN RENAISSANCES

The English Renaissance is different from the Italian Renaissance in several ways. The dominant art forms of the English Renaissance were literature and music. Visual arts in the English Renaissance were much less significant than in the Italian Renaissance. The English period began far later than the Italian, which is usually considered to begin with Dante, Petrarch and Giotto in the early 1300s, and was moving into Mannerism and the Baroque by the 1550s or earlier. In contrast, the English Renaissance can only be said to begin, shakily, in the 1520s, and continued until perhaps 1620.
The Italian and English Renaissances were similar in sharing a specific musical aesthetic. In the late 16th century Italy was the musical center of Europe, and one of the principal forms which emerged from that singular explosion of musical creativity was the madrigal. In 1588, Nicholas Yonge published in England the Musica transalpina—a collection of Italian madrigals that had been Anglicized — an event which began a vogue of madrigal in England which was almost unmatched in the Renaissance in being an instantaneous adoption of an idea, from another country, adapted to local aesthetics. (In a delicious irony of history, a military invasion from a Catholic country – Spain – failed in that year, but a cultural invasion from another Catholic county, Italy, succeeded). English poetry was exactly at the right stage of development for this transplantation to occur, since forms such as the sonnet were uniquely adapted to setting as madrigals: indeed, the sonnet was already well-developed in Italy. Composers such as Thomas Morley, the only contemporary composer to set Shakespeare, and whose work survives, published collections of their own, roughly in the Italian manner but yet with a unique Englishness; many of the compositions of the English Madrigal School remain in the standard repertory in the 21st century.
The colossal polychoral productions of the Venetian School had been anticipated in the works of Thomas Tallis, and the Palestrina style from the Roman School had already been absorbed prior to the publication of Musical transalpina, in the music of masters such as William Byrd.
While the Classical revival led to a flourishing of Italian Renaissance architecture, architecture in Britain took a more eclectic approach. Elizabethan architecture retained many features of the Gothic, even while the occasional building such as the tomb in the Henry VII Lady Chapel at Westminster Abbey, or the French-influenced architecture of Scotland showed interest in the new style.

http://en.wikipedia.org/wiki/English_Renaissance

The English Renaissance was a cultural and artistic movement in England dating from the early 16th century to the early 17th century. It is associated with the pan-European Renaissance that many cultural historians believe originated in northern Italy in the 14th century. This era in English cultural history is sometimes referred to as "the age of Shakespeare" or "the Elizabethan era", the first period in English and British history to be named after a reigning monarch.
Poets such as Edmund Spenser and John Milton produced works that demonstrated an increased interest in understanding English Christian beliefs, such as the allegorical representation of the Tudor Dynasty in The Faerie Queen and the retelling of mankind’s fall from paradise in Paradise Lost; playwrights, such as Christopher Marlowe and William Shakespeare, composed theatrical representations of the English take on life, death, and history. Nearing the end of the Tudor Dynasty, philosophers like Sir Thomas More and Sir Francis Bacon published their own ideas about humanity and the aspects of a perfect society, pushing the limits of metacognition at that time. England came closer to reaching modern science with the Baconian Method, a forerunner of the Scientific Method.
http://en.wikipedia.org/wiki/English_Renaissance

MİDDLE ENGLISH LİTERATURE

The term Middle English literature refers to the literature written in the form of the English language known as Middle English, from approximately 1066, the date of the the Norman Conquest, up until the 1470s, when the Chancery Standard, a form of London-based English, became widespread and the printing press regularized the language. During this period of English literature, Geoffrey Chaucer wrote The Canterbury Tales, the Pearl Poet wrote Sir Gawain and the Green Knight, William Langland wrote Piers Plowman, and many morality plays and miracle plays were produced. Sidrak and Bokkus is an example of late Middle English literature. There are three main categories of Middle English Literature: Religious, Courtly love, and Arthurian

http://en.wikipedia.org/wiki/Middle_English_literature

OLD ENGLISH LITERATURE

The first works in English, written in Old English, appeared in the early Middle Ages (the oldest surviving text is Cædmon's Hymn). The oral tradition was very strong in early British culture and most literary works were written to be performed. Epic poems were thus very popular and many, including Beowulf, have survived to the present day in the rich corpus of Anglo-Saxon literature that closely resemble today's Norwegian or, better yet, Icelandic. Much Anglo-Saxon verse in the extant manuscripts is probably a "milder" adaptation of the earlier Viking and German war poems from the continent. When such poetry was brought to England it was still being handed down orally from one generation to another, and the constant presence of alliterative verse, or consonant rhyme (today's newspaper headlines and marketing abundantly use this technique such as in Big is Better) helped the Anglo-Saxon peoples remember it. Such rhyme is a feature of Germanic languages and is opposed to vocalic or end-rhyme of Romance languages. But the first written literature dates to the early Christian monasteries founded by St. Augustine of Canterbury and his disciples and it is reasonable to believe that it was somehow adapted to suit to needs of Christian readers. Even without their crudest lines, Viking war poems still smell of blood feuds and their consonant rhymes sound like the smashing of swords under the gloomy northern sky: there is always a sense of imminent danger in the narratives. Sooner or later, all things must come to an end, as Beowulf eventually dies at the hands of the monsters he spends the tale fighting. The feelings of Beowulf that nothing lasts, that youth and joy will turn to death and sorrow entered Christianity and were to dominate the future landscape of English fiction.
http://en.wikipedia.org/wiki/English_literature#Old_English